Khaos

Archive for the 'Tokyo International Players' Category

Theatre Work

Wednesday, March 1st, 2017

I’ve a busy few months coming up.  I’ve agreed to be assistant director for TIP’s May production of The Diary of Anne Frank.  This is my first time as an assistant director and I’m enjoying the challenge.  It is a heartbreaking play, but a story that is worth telling and feels horribly relevant at the minute.

Flyer for The Diary of Anne Frank

Flyer for The Diary of Anne Frank

The Costumes of Macbeth

Monday, October 17th, 2016

So much work goes into putting on any production.  I was only involved in Macbeth for the past few weeks and it took over my life.  For the production team who have been involved since the inception of this project I imagine it’s taken up a huge part of this year.

The show was visually beautiful with a stark, clean aesthetic. I worked with a team of sewers, lead by costume designer Sara Ben-Abdallah, and made some of the garments she created.

Macduff vs Macbeth

Fight scene between Macduff and Macbeth – image by John Matthews

The pleats, that I spent quite a bit of time stressing over, looked great in the final pieces.

Something Wicked This Way Comes

Saturday, October 1st, 2016

Marty is going to be on stage for the first time in years.  He has a small part in Tokyo International Players production of Macbeth, which opens on October 13th.  I will be helping out with costumes and wardrobe, so hopefully I’ll still get a chance to watch the play.

I did see a scene, between Lady Macbeth and Macbeth, acted out last night at the Improvazilla Mainstage Show and it was excellent.

Marty, about to fight with a big stick.

Marty, at rehearsal, about to fight with a big stick.

The Journey Ends

Monday, May 23rd, 2016

It’s the morning after the last performance of Big River.  I’m in that post performance daze where it seems hard to believe that 6 months of work is over.

There were many new experiences and challenges working on this project, but the stand out thing was the people I worked with.  I was incredibly impressed by the director, stage manager, and the production team.  It made such a difference working with people who had a strong vision for the show and were competent in facilitating that.  I loved how the cast worked together.  We had a story to tell and everyone helped each other tell it.  There was a lot of love and support and a real feeling that we wanted each other to succeed and perform to the best of our ability.  It was also a joy working with the incredibly talented musicians.

I was surprised by how much I enjoyed working with costume and wardrobe.  My sewing skills are basic, but I did manage to make my own costumes and some other pieces.  I discovered that ironing costumes in the theatre before the rest of the cast arrived really helped with the anxiety I feel before performing.  Actually, all the costume work did.  Having cast members come to me because they had lost their hat or their apron gave me something to think about other than the fact that I was going to have to perform in front of an audience.  I don’t do well if I have to sit still.

Acting with an American accent was a challenge.  I have no idea if I was any good at it, but I tried.  One of my friends who came to see the show appeared stunned by my performance saying that they had no idea who that woman was on the stage, but she wasn’t me.  I’m going to take that as a compliment as I’m not an old, American, shrewish spinster.

The Opening Number

Photo of “Do Ya Wanna Go to Heaven”, by Teruaku Ito

It was the first time I was involved in dramaturgy as I wrote a short piece on the historical context of the play for the program.  I didn’t know what the word “dramaturgy” meant when I was first asked to do this, but I was happy to try and I did enjoy researching the history of the 1840s in America.

So for now I will find a place to keep all the lovely notes and mementos I received and I’ll take a break from theatre.  It may be the end of my journey down the river, but it’s much too soon to know which parts of my own journey are only beginning.