Khaos

Archive for the 'Theatre' Category

Songs for a New World – June 2018

Tuesday, May 1st, 2018

Last night we had our first vocal rehearsal for my June production of Jason Robert Brown’s Songs for a New World.  It was wonderful.  The cast are talented and I will admit that I did a little jump for joy the when we managed to sing through the opening of the show for the first time.  It’s going to be stressful but I’m never happy without a little stress in my life.

Youth Theatre

Wednesday, April 18th, 2018

I have just finished working on TIP Youth for this season.  Production week is always hard work, but it was certainly worth it to see the children perform on stage.  They had so much energy and joy.  I’m also very fortunate in that I really like the team that puts together TIP Youth and would happily work with them on future projects.

I have two more shows that I’m working on before the end of June, The Who’s Tommy, and Songs for a New World.  After that I’m hoping I can take a break in the summer and maybe do some more studying before the next season begins.

TIP Youth – Season 8

Wednesday, March 28th, 2018

For the past sixth months I have been working as music director of TIP Youth.  It’s getting close to production week and I’m excited to see these shows once we get into the theatre.  They look great in rehearsal but there is no doubt that the addition of a set, lights, and costume, will add magic to the show.

The Who’s Tommy

Tuesday, March 27th, 2018

I’m currently part of the production team of Tokyo International Players The Who’s Tommy, which runs from the 17th May to the 20th May.

The Who’s Tommy is a rock musical based on The Who’s 1969 rock opera Tommy.  I’m not a big fan of The Who, but the music is growing on me.  I really do like Eyesight To The Blind and I imagine by the time the show is on stage that I’ll love the music.  In rehearsal we work with a brilliant pianist, but it’s going to be great the first time we got to rehearse with the band as guitar music can sound rather boring on a piano.

I’m enjoying the challenge of teaching the music.  It sounds different from the traditional musicals I usually work on, but it’s every bit as complicated.  There are some great harmonies in the show and at least one piece has 13 different vocal parts.  The main issue with the number of vocal parts is that quite a few of the songs have to be sung in strict time, and that doesn’t seem very rock ‘n roll to some of the cast.

As part of the process we’ve been learning more about music of the era.  Last week we got to meet Morgan Fisher, who had toured with The Who, and it was fascinating hearing his stories and listening to him play keyboards.

TIP Youth – Season 8

Tuesday, November 7th, 2017

I’ve just started work as music director on this season of TIP Youth.  We will have two shows that run in mid-April.  Our younger group is working on “Disney’s Alice in Wonderland”, and the older group has “Disney’s Beauty and the Beast”.  The music in “Beauty and the Beast” is well known and beautiful.  “Alice” is a lot quirkier and contains a rather strange version of “Zip-A-Dee-Doo-Dah”, which I’m hoping grows on me.

I enjoy teaching ensembles and one of the wonderful things with teaching a younger group is watching how much they improve.  Everyone can improve, but the children are much more open to the concept.

Attend the tale of Sweeney Todd

Monday, November 6th, 2017

After months of rehearsal we finally made it to the theatre.  Playing Mrs Lovett wasn’t easy, but it certainly taught me a lot and showed me that I could perform a difficult role.

Mrs Lovett, Tokyo International Players Photo Credit: John Matthews – john-matthews.net

It was an experience I won’t forget and I’m thankful to have been given so much support by members of the cast and crew.

New Role

Monday, September 4th, 2017

I was appointed to the board of governors of Tokyo International Players (TIP) at their AGM in August.  For the past year I have been a TIP advisor, working on their volunteer committee.  I’m looking forward to continuing that work and to being more involved with the English language theatre community in Tokyo.

Summer Study

Tuesday, August 22nd, 2017

During the rehearsal break for Sweeney Todd, I decided to attend a couple of training courses.  The first one was a Level 1 & Level 2 Estill Vocal Course.  This was a wonderfully practical course that was very well structured.  I imagine it will take me a long time to master the things I was taught, but I will practice once I get back to Tokyo.  I am very happy that I went as it’s been a long time since I felt that anything I was doing vocally was going to significantly improve my voice.  It also gave me insight into what I need to do in order to help other people with their voices.

I attended a course on Directing for Theatre at the Royal Conservatoire of Scotland.  This course was not as structured as the vocal course and there was a lot of it that I already knew.  It was good, however, to consolidate the information I had learned before and to get to see other people direct.  Directing does seem to be one of those things you can only learn from doing and from watching others.  I have plans to direct a musical next year, so hopefully I’ll be able to use some of the things I learnt.

Difficult Music

Monday, July 17th, 2017

I’ve spent the weekend running vocal rehearsals for TIP’s upcoming production of Sweeney Todd.  Although I had listened to many different recordings of this musical there are still songs that I’m not overly familiar with.  “The Letter”, sung by the Quintet, is really beautiful and I wish that is was heard more.  And even the songs I know well are difficult because of the discordant harmonies and contrapuntal phrases.

I both love and hate the complexity of the musical.  It is difficult to teach and at times I feel that it is overly precise.  The are places where each bar of music is in a different time signature and I would have preferred if some of this expressive writing could have been left for the performer to interpret.  And then there are the are the places where each part has a different time signature for the same bar… I had never seen that before in a score.

My Latest Musical Challenge

Sweeney Todd!

Friday, June 30th, 2017

I’ve been cast as Mrs Lovett in Tokyo International Player’s production of Sweeney Todd The Demon Barber of Fleet Street. I love Sondheim and I’m thrilled to get the opportunity to sing in the musical.